DANCING LESSONS
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Named BEST ACTOR of 2015 by Sarasota Magazine
and BEST ACTOR IN A PLAY by The Sarasota Herald-Tribune
and BEST ACTOR IN A PLAY by The Sarasota Herald-Tribune
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TalkinBroadway.com: All that is really necessary to make this play work are two superlative performances—and Florida Studio delivers this. I was thinking during the play that Jason Cannon as Ever Montgomery may be the single best performance by a leading actor in a play that I will see this theatrical season. I noticed at one point, when he was listening intently to Vanessa Morosco as Senga Quinn, that the emotional distance, so typical of autism, was still in place.
Ticket Sarasota: An impressive performance by Jason Cannon as Ever... Cannon clearly did his own homework to prepare for the role. His portrayal of Ever is detailed, nuanced and honest. |
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Sarasota Herald-Tribune: Cannon, an associate artist at FST, whose intriguing portrayal steals the spotlight. His autistic mannerisms — rapid speech, lack of eye contact and body awkwardness — are authentic without becoming caricature and endearing without becoming saccharine. Thanks to St. Germain's fine script, there's never a word that's less than credible.
Sarasota Magazine: Cannon and Morosco are convincing in their slow moves toward one another. Cannon especially has the physical attributes of an autistic right; his Ever is awkward physically, and literally has to practice making appropriate facial expressions in order to register the emotions that come naturally to others.
The Observer: Cannon (who must have researched tons of YouTube videos) has a perfect command of his autistic character’s dialogue rhythms. Emotionally, Ever’s either at a dead stop or putting the pedal to the metal. Sometimes that’s played for laughs, at other times for heartbreak — but never feels like caricature. Feeling aside, Cannon also conveys his character’s beautiful mind — compensating for his lack of emotional wiring with a scientist’s constant observation, inference and hypothesis.
Sarasota Magazine: Cannon and Morosco are convincing in their slow moves toward one another. Cannon especially has the physical attributes of an autistic right; his Ever is awkward physically, and literally has to practice making appropriate facial expressions in order to register the emotions that come naturally to others.
The Observer: Cannon (who must have researched tons of YouTube videos) has a perfect command of his autistic character’s dialogue rhythms. Emotionally, Ever’s either at a dead stop or putting the pedal to the metal. Sometimes that’s played for laughs, at other times for heartbreak — but never feels like caricature. Feeling aside, Cannon also conveys his character’s beautiful mind — compensating for his lack of emotional wiring with a scientist’s constant observation, inference and hypothesis.