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    • Awake and Sing!
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    • Burt & Me
    • Butler
    • Chesapeake
    • A Clockwork Orange
    • The Comedy of Errors
    • Constellations
    • The Cottage
    • The Crucible
    • Dancing Lessons
    • Deck the Halls
    • The Diviners
    • Doublewide
    • Doubt: A Parable
    • The Dragon vs the Hiccups
    • Fools
    • Gentleman's Guide to Love and Murder
    • Gidion's Knot
    • Grace
    • Hamlet
    • Hand to God
    • How to Use a Knife
    • Imagination Adventures
    • Into the Woods
    • Joseph...Dreamcoat
    • Killer Joe
    • Last Rights
    • Lend Me a Tenor
    • The Lion, the Witch, and the Wardrobe
    • Little Women the Musical
    • Love Song
    • The Marvelous Wonderettes
    • Measure for Measure
    • Million Dollar Quartet
    • Moonlight and Magnolias
    • My Name is Asher Lev
    • Noises Off
    • Old Enough to Know Better
    • Once
    • Other People's Money
    • Outlying Islands
    • Peter Pan
    • Peter Pan the Musical
    • Pinocchio
    • Rap-Punzel
    • Relativity
    • Robin Hood
    • Rumplestiltskin
    • Skin in Flames
    • Snow White
    • Stalking the Bogeyman
    • The Velveteen Rabbit
    • Way to Heaven
    • The Wizard of Oz
    • 25th Annual Putnam County Spelling Bee
    • Imaginary Theatre Company
    • Various FST Projects
    • Various Freelance Projects
    • Various University Projects
    • University of Missouri-St. Louis
  • Media
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Monday Musing, 12/10/18

12/10/2018

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Hello Apprentices--
​

One of the strengths of our particular art form is that even though there is a final “product” that we share with the public, our “process” never ends.

Unlike, say, a novel, or a painting, or a film, which are by their very natures static (though our understanding of and appreciation for them can evolve), theatre is live. It is kinetic. It requires a new micro process at every performance, even after the macro process of rehearsal “culminates” at opening.

Your performance is never “done”.
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And any particular individual patron can never have precisely the same experience again, even if they come back the very next night. 

​This is not to say that writers, or painters, or filmmakers do not also have their process, but their processes result in a tangible finished THING. Is the THING the art, or is the reader’s/viewer’s/watcher’s experience of that thing the art? That’s a fun and baffling idea to contemplate, but regardless, that THING resides in a space BETWEEN the artist and the patron. Whereas the THING that is theatre can only reside in the space SHARED by the artist and the patron.


I do not compare to say one art is better than another. I compare to remind you that being a theatre artist means you must be present and vulnerable in terrifying ways. And that particular terror can make it easy to put things off. To procrastinate. To withhold. To self-censor.

To counteract that terror, I offer you two cookies this week. First... Batman. Batman will make you brave.

Second, this awesome quote from the fabulous feminist humorist Cynthia Heimel:  “There is a microscopically thin line between being brilliantly creative and acting like the most gigantic idiot on earth. So what the hell? Leap.”​

Leap. Like Batman off a building.
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    The serious theatre artist hard at work, trying to please his caffeinated canine copy editor...

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    Theatre pro, amateur yogi, and competent home cook.

    Adoring boyfriend to Marvel Universe-loving girlfriend.

    Runner of half-marathons and daddy to awesome silly Rottweiler.

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    Lifelong St. Louis Cardinals fan and addicted to the Gulf Coast sand, surf, salt, and sunsets (see above!).

    Open to clarification, correction, and commentary. Ideologues discouraged.

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